Category Archives: style/outfits/clothing

Island of fire

Dear all!

Thank you so very much for your comments on my pink ballerina dress, both here and on facebook!
(to those who came here via facebook and may wonder why my post don’t show in their RSS-feed anymore: I had to change my url a few months ago, so when you started following before it can’t work anymore. The bloglovin-link at the bottom of the page was updated, so please renew your feed if you want to keep updated).

a beautiful balcony, somewhere in Taormina
a beautiful balcony, somewhere in Taormina

Sorry for my radio silence here since the last post. I was on holidays and hadn’t had any time to prepare some posts in advance. And as you can imagine, I didn’t sew very much, either (though I tried to make myself a dress for the holiday, but I didn’t finish it in time).

The Naumacchia, a wall with niches of still unknown purpose
The Naumacchia, a wall with niches of still unknown purpose

Normally I have a very strict policy when thinking about blog posts and holiday-photo-posts aren’t what this blog is about. But because I have nothing else to talk about and because I visited a city with a lot of history and art (so there is the connection to this blog) I decided to give you a little glimpse of what my holidays looked like.

Me wearing my Stevie Nicks dress next to Via d'Orville
Me wearing my Stevie Nicks dress next to Via d’Orville (the post presenting it doesn’t exist anymore, sorry)

These were the first holidays since a short trip to Florence 2012. Because all the holidays my boyfriend and I had had together were domitated either by sightseeing or art and museums I had to promise my boyfriend to accept bathing-relax-holidays this time. For this reason we chose Taormina on Sicily, a beautiful little city directly above the mediterranean sea with lovely old churches and enough art to keep me entertained, but not large enough to seduce me with loads of museums and giant cathedrals (the reason we didn’t go to Palermo).

The interiour of San Pancratio, built on the ruins of a greek temple
The interiour of San Pancratio, built on the ruins of a greek temple

Our hotel wasn’t located in Taormina itself, but in Mazzaró, a district of it directly by the sea, connected with Taormina via a funicular or a staircase.

The Centaur-Fountain in front of the Duomo, built in 1635
The Centaur-Fountain in front of the Duomo, built in 1635

This wasn’t only a decision saving money and nerves (because we had rented a car and parking in Taormina is really not relaxing at all), it also enabled us to go to the beach whenever we liked to, the beach being a small natural reserve with the really beautiful Isola Bella. On the island is a very small museum, showing photos of the surrounding reefs and with beautiful terraces from which you have a spectacular view over the mediterranean sea. Unfortunately large areas and even some rooms were closed, but in hindsight I should be lucky that it was open at all.

La Isola Bella
La Isola Bella

Taormina itself is famous for its beautiful buildings and its long history. The oldest buildings to witness this history are the greek ruins like the antique theatre. Today it is often called the roman theatre, because the romans enlarged and altered it, leaving no visible trace of the greek predecessor. This place gives you an amazing view on mount Etna. Unbelieveable, but the Romans built a brick wall behind the stage, so the view onto the island (as the greeks wanted it to be) was completely blocked, fortunately not much of the wall is left today and the vulcano is visible again.

Theatro graeco
Theatro graeco

Most of the town shows medieval and younger buildings, but some of the old looking landmarks are in fact reconstructions from the 19th century, so you have to be careful when judging them.

The Porta Messina, restored in the early 19th century
The Porta Messina, restored in the early 19th century

Now the maddening part of this city. I said it is famous for its history, its art. Is has rare and beautiful antiques, lots of interesting Palazzi and Churches. And it has a Saracen Castle on the hilltop above the town as well as two museums, an archeological Museum and an Antiquarium next to the antique theatre (website tells me that there are two more museums, I didn’t visit any of them and apparently they are smaller, because they didn’t appear in any of the guides I had). All three, the castle and both museums, are closed. Not for maintainance or because of anything special, in fact I have bo idea why and my guide writes that they have been closed for quite some time now.

Castello Saraceno - the locked gate
Castello Saraceno – the locked gate

So although I expected them to be closed, I am quite disappointed by this. I mean, this is a city famous for its antique heritage, attracting thousands of visitors each year and they don’t manage to keep at least one of the antique museums running?

Antique mosaics, hidden in a smelly hallway leading to the stage, that is installed inside the theatre in the summer months
Antique mosaics, hidden in a smelly hallway leading to the stage, which is installed inside the theatre in the summer months

At one day we made a trip to a nearby village called Savoca. I was confused to see numerous tourist groups stroll through it, not because of the cute little town or its monuments, but because they made guided “mafia”-tours, visiting some film-locations of F.F. Coppola’s “Godfather”. All you heard were things like “And here Coppola shot this scene” and “Look, this is the church where the marriage was filmed”. I overheard a german-speaking tour-guide telling his group that in this area of Sicily your risk your life when photografing people on the street, never knowing who they really are. Well, yes, I know that the Cosa Nostra is active in Sicily, no doubt, but still this sounds like a story a tourist guide wants to tell because it sounds so threatening.
And before someone asks: I wanted to visit this village, because there is a small Capucin convent. The rich and noble men of the village had themselves mummified and burried in the curch’s crypt, you can see their bodies, fully clothed in 18th and 19th century attire, until today (photos of the mummies can be found in the italian Wikipedia-article about Savoca)

Savoca. The church on the rocks left is the chiesa de San Nicolò, where the marriage in "The Godfather" was filmed. And the little silver car between the two busses is our hired car
Savoca. The church on the rocks left is the chiesa de San Nicolò, where the marriage in “The Godfather” was filmed. And the little silver thing between the two busses is our hired car

Savoca has a little museum, too and this was open! Though my italian is so bad that I didn’t understand a word it was really cute and I was happy to pay the 2€ entrance fee to support it. Beside an old loom and an (to me undatable but presumeably 19th century) table carpet I especially loved this little room.

Sorry I don't have any better photo of the whole room
Sorry I don’t have any better photo of the whole room

The damask on the bed is painted with some cute figures and additional ornament.

love this mermaid!
love this mermaid!

But the oddest thing is this hook rack. In the middle an antique corset (I don’t even dare dating it. The cut seems to be 18th century but I don’t want to imagine something this old hanging on hooks like that), framed by some priest’s stoles (18th as well, I fear). What a combination! And all in deplorable condition, but the women at the counter didn’t speak anything but Italian so I did not want to start a discussion with them.

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Some of you who know me a little better might know that I love art, but that I am absolutely fascinated by nature. I mean, nature is everything, we are nature, art is nature (ok, we are not talking about Jeff Koons’ sculptures here) and no matter how beautiful the things are we create, seing a plant grow from a tiny seed or a small bee working as a part of a whole state is simply breathtaking to me. And so the one thing that impressed me most in this holidays is not man-made:

a little shy, hiding its face in the clouds
a little shy, hiding its face in the clouds

We visited mount Etna on sunday, it already being very active and throwing lava and rock into the air, covering us in a thick smoke smelling like sulphur. If you ever have the chance of visiting it: Do it! Standing in front of a spitting vulcano and listening to the sound of exploding lava is one of the most breathtaking experiences I have ever had.

Eruption of the south-eastern crater, seen from appr. 2550m, near the funicular hill station
Eruption of the south-eastern crater, seen from appr. 2550m, near the funicular hill station (shot with zoom lens)

You can go by car or rent a bus tour to the Refugio Sapienza, where you will find a large parking place and dozens of souvenir shops and restaurants. From there a funicular brings you to 2500m heigth. If you want to, you can walk from there or you can pay 30€ for offroad-busses to bring you as close as possible to the top. Because of the ongoing outbreak this busses stopped much sooner as normally, so you have to decide if you are really willing to spend the money when the vulcano is as active as it was last week.

in case you assumed you would be alone up there - you aren't. Photo taken at 2700m, above the Valle del Bove
in case you assumed you would be alone up there – you aren’t. Photo taken at 2700m, above the Valle del Bove

Our guide advised us to have a look at the vulcano from Taormina when it is dark and so, after having watched the football match on monday evening in a bar we stayed in Taormina until it was dark. And oh my god, I was completely overwhelmed!

Erupting Etna seen from the Piazza IX aprile, Taormina
Erupting Etna seen from the Piazza IX aprile, Taormina

I assume I stood there for over an hour, doing nothing but staring and taking photos (only for the record: from the 665 photos we took, 322 show the Etna, mostly because of the many continuous shootings I made from the eruptions). It was just too beautiful to leave. And though this outbreak endagered our departure flight, I was so grateful to see something this beautiful.

Me on the Corso Umberto I, the main street of Taormina (wearing New Look 6789 and the handbag I won from Goldkind)
Me on the I, the main street of Taormina (wearing New Look 6789 and the handbag I won from Goldkind)

I hope I will be able to sew something in this remaining days of my holidays. but I definitely will cook. Inspired by the HSF, two bloggers created the Historical Food Forthnightly. And because I would like to revitalize my historical recipes on this blog, I hope I will be able to join some of the challenges.

I wish you all a lovely weekend, yours

ette

from topmost to lowermost

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Now, back to topic:

Finally I am able to participate a HSF-challenge again. Not that I didn’t sew the last month, but I had to make a christening robe for my niece and a baby quilt for my boyfriend’s cousin and his wife, whose baby arrived in january. Both patterns were modern, so nothing to show on this blog (ok well, we could argue that the quilt was made after a 1984 pattern, so according to wikipedia this would have been at least “vintage“. But it’s too late now, because I forgot to take photos anyway).

I had already written most of the post for this month’s challenge when I had to realize, that the project I was working on was doomed and that all I tried to save it only made it worse. I tried to sew a hat, using the scraps from my 40ies coat, to wear with it. But the pattern didn’t work at all with the fabric and now I have no fabric left for a second try (and no motivation, either). I don’t suppose I would have worn it a lot, anyway, so I don’t mind.

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With only a few days laft to complete the challenge I adapted an idea I had already had a few weeks ago: embroidered stockings. I love antique patterned stockings, some are preserved, most aren’t. The final idea came when I saw a portrait of Richard Sackville by Isaac Oliver, wearing blue stockings with gold embroidery.  I don’t know if it’s because of the lack of detail of the painting itself or its reproduction, but it looked very flat and plane to me and so I decided to paint the stockings instead of embroider them.

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I owned a pair of white tights, I don’t remember for how long. What makes them special and predestined for this project, is that they are pure cotton. No elastic or artificial fibres in them, they don’t fit very snug, but always wrinkle a little, so they always reminded me of antique stockings. Now, a few months ago I managed to damage them in the topmost part, there was a hole in them, it didn’t not run, but it was a hole. I don’t know about you, but I hate to wear something damaged, even though I know nobody can see it.
I was already close to throw them into the waste bin, when I finally decided to use them as my test object. And because they do have a certain age I wouldn’t have liked to embroider them, fearing that they won’t live very long anymore.

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To stick with the colour ofSackville’s stockings, I used golden fabric paint. As a pattern I chose an embroidery motive I found in the “Unterhaltungsblätter” I showed you in the last post.

9 May 1925, I used the ornament on the left
9 May 1925, I used the ornament on the left

To avoid stretching the motive when wearing the stockings, I cut a piece of cardboard according to the measurements of my lower leg (it is more difficult than it sounds, gauging the circumference of your lower leg with a tape measure, wearing a corset. And please do not ask why I am wearing a corset on a saturday afternoon at home, I simply wanted to. But I hope that in circles, where people sew and wear corsets, girdles and crinolines I do need neither explanation nor excuse 😉 ) and put it inside the tights. Beforehand I had put them on and had marked where my ankle was.Unfortunately I didn’t measure again before painting, so the pattern on one leg is taller than on the other, but I don’t think anybody will see this.

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To transfer the motive I simply used a stencil I had cut out of a thin plastic register page. After letting it dry completely I added a second, thicker layer as well as some silver to give it as least a slightly plastic look.

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The Challenge: #7 Tops and toes

Fabric: white cotton tights

Pattern: no pattern for the stockings, I just cut the legs off the tights. Pattern for the motive from 1925, found in “Schweizerische Unterhaltung-Blätter”, may 9 1925

Year: motive from 1925

Notions: gold and silver fabric paint, white cotton thread to hem the upper edge of the stockings.

How historically accurate is it? Well it was inspired by historical embroidered stockings, though you can’t call them historical at all.

First worn:  last weekend, after finishing and washing it.

Total cost: I bought the tights years ago in a second-hand shop, they can’t have been very expensive. The paint cost 2€ each, years ago, too.

I was so happy seing this project finished I couldn’t help but improvise a little 20ies inspired photo session with things that I found in my closet (being aware that this is far away from being authentic).

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headband: old, don’t know anymore; bracelet and 1900s barrette: antique stores in Lyon; pendant and 20ies shoes: flea market; shirt: yes or no by manor; skirt: 2nd hand; stockings: 2nd hand/altered by me

The reason why I am sitting, besides that I wanted to show the stockings: the shoes are too small and really fragile, I fear standing on them. So I sat down on the dresser, put them on, had me photographed, put them off, stood up 🙂

Now, having talked about corsets and holes in tights and having posted photos wearing a skirt that can’t conceal that I am really wearing stockings rather than tights, I will leave it with this before it gets even more scandalous 😉

See you soon, love,

ette

 

what to blog for…

This is going to be a very text-heavy post, sorry in advance 😉

When starting this blog back in 2011, I blogged about everything that came to my mind. Predominantly sewing and crafting, because that’s what was and still is one of my favourite things to do. But I also posted photos of my walks around our village, things I did during the day, I wrote texts about climate change and politics. I wanted to blog about myself, my life.

Soon I realized that this wasn’t possible. I am no important person, I do not travel the world, I have no extraordinary hobbies. These blogs do exist, but they do need a good working online-network of friends and followers and they need something that makes them better than others. A good writing style, an extraordinary sense for fashion, home decoration and the like, photos worth looking at…

I had nothing of these. I am a member of some sewing boards, but I was never kind of a chatty person (at least not digitally). I help, I answer questions, I utter my opinion, but I hardly participate in neither board games and questionaires nor in serious discussions online. So I had no peer-group that was to read my blog, only some friends I met in real life or very few I got to know online.
My writing style wasn’t very distinct and appealing, I fear in english it is even more sober. My photos were embarassingly bad, I had no clue how to edit my pictures, I had no photoshop and a bad camera.
The projects I showed were unfiltered. I just wrote about everything I created, no matter how simple it was, no matter how boring it would be for my readers.

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pile of garments to be repaired, originally posted in july 2012

After some time I made a decision: I will strictly limit my blog to certain topics. If I want my blog to be appealing to a larger group of people who follow my blog because I write interesting things and not because they are my friends, I had to focus on at least something, I needed a thread to follow myself.

My decision was clear: I would limit my blog to a historical complex of topics. Still, sewing was to stay the main focus, but I also included things like antiques shopping and cooking, as long as it was dating from a time you could at least call “retro” (and I am still arguing with myself if a 1980ies pattern would be too young to fit into). And I would force myself to use the large, the better camera and edit the photos before publishing them.

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detail of my 1904 velvet cape, originally posted in june 2012

I had searched for an advantage, something I can give to you, because for me, a blog isn’t a diary (I know for some it is and that is perfectly ok), it is a place to share things with others, things I want to share and things that you hopefully want to read.

I know (and read the blogs of) people who sew better than me, who can create magnificent robes in the blink of an eye, who can do magic with their fingertips, who can name a 17th-century garment and date it to a decade without any hesitation.
Well, I can’t

But I can sew, I can do research, I know about technical background like weaving and pattern design. I do have direct access to a lot of antique robes and other stuff due to my job, and though I can’t share photos with you due to copyright reasons, I am so very happy to share my knowledge with you.

1950ies silk, pattern "imprinà sur chaîne", originally posted in january 2013
1950ies silk, pattern “imprimé sur chaîne”, originally posted in january 2013

Unfortunately, to blog about this background isn’t as easy as it seems. First, because it can be kind of dry to read, additionally many things can be found in the internet already and I am very cautious when it comes to pictures that weren’t made by myself. So the only theoretical excursions I do at the moment are included in project-posts, where I can illustrate the information I want to give with my own photos (a good example for what I mean is my sewing-machine-supply-box-post).

Another thing that annoys me a little is my lazyness when it comes to time periods. I announced this blog as one filled with historical topics. Last year the earliest project dated from 1942, this year I even managed togo as far as the 19th century, but not with something to wear. So though I am holding my “all centuries, no limits”-sign up, in fact nearly all my projects gather around something you would call “vintage sewing”. Now, this is what I do at the moment, so it is ok for me. But still I fear it gives a wrong impression of my goals, of what I want to do with this blog.

1942-culottes, originally posted in august 2013, still with my old blog-adress
1942-culottes, originally posted in august 2013, still with my old blog-adress

These two things, false impression and my blog’s goal, lead me to my conclusion of this post:

Blogging about fashion, textiles, clothing, sometimes make me fear to appear superficial. As if I cared for nothing but beautiful dresses.
This is not the case. In fact, I am absolutely aware of the world we live in and, in large part, it repels me. I hate the willful ignorance, the mindlessness, the addiction to capitalism and consumption.
I am not as naive as to join in the “everything used to be better in the past”- chorus. But cooking with old recipes, reading old newspapers and sewing with old patterns shows me, how simple everyday-life can be. That we do not need fusible interfacing and invisible nylon zippers to sew something beautiful, that leftovers and dry bread can make an exquisite meal, that there was a world before our plastic planet, and this world wasn’t glorious or romantic, but it was aware of the resources given and needed, it was possible to live without take-away-sandwiches from the supermarket, disposable plastic bags and aluminium cans. I don’t want to say that the standard as it was, eg. in the 19th century, ist something to wish for today, I really don’t believe pollution in the early industrial age is something to revive, but there is inspiration we can draw from these times, for me it is the constant search for alternatives, not to be controlled by the systems that keep all this living as we know it alive.

I really am a greenie. I shout at the woman in the shop, when putting my goods in a plastic bag without asking, I refuse to use liquid detergent and I try to avoid buying from large world dominating companies, I hate the system of trade as it is today (nothing against globalisation up to a certain point, but do we really have to ship the shrimps from the north sea to asia to have them processed there and then sent back?). At the same time I request myself to act not too short sighted. If possible I go for local fruits and vegetables, despite an organic alternative, I hardly ever buy tropical fruits. I do not eat meat, because this factory farming makes me sick, but I do wear leather and buy old fur because the alternative would be made of plastic.

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tea made from apple peel as read in a 40ies magazine. not yet published

The occupation with old patterns and styles somehow links to this. Of course I am simply smitten with the elegant lines or styles of bygone eras, no doubt about it.
But for me, it is another way of escaping this system. Establishing my own style means to become independent from ever so quick changing fashion. Shopping patterns, fabrics and haberdashery at flea-markets and in charity shops is pure re-use and recycling.

This leads to my second point: What do I want to do in this blog, with this blog, what is my goal?

When scrolling through the feed of my read blogs there are namely three types of bloggers:
Those who want to recreate a bygone era, trying to be as authentic as possible, maybe even to participate at reenactments.
I don’t belong to these.
Those who just like the styles and recreate something from here, something from there, change some details, play around with history, stereotypes, fabrics, styles etc. to wear their creation to a photoshoot, to an event, to carnival, at home for fun.
I don’t belong to these, either (though this is certainly how it started).
Those who try to recreate a classic look (talking about 20th century and vintage styles now) with modern means. Who shop at the large clothing companies and combine their bargains to something resembling a historic style. Or who buy modern reproductions and interpretations of classic silhouettes.
I definitely don’t belong to these, though of course every now and then I do buy a new dress and still the majority of my wardrobe is store-bought. But that isn’t because I want it, but because I don’t have enough time and motivation to make everything myself and because there are things I need but don’t want to sew (jeans, eg.).

the last (new) h&m-dress I ever bought, outfit originally published in may 2012
the last (new) h&m-dress I ever bought, outfit originally published in may 2012

This blog wants to turn the last idea the other way round. I want to create a wardrobe that is wearable, beautiful, based on historical patterns and styles, a wardrobe that is independent from Highstreet-fashion, that looks modern and elegant at the same time. That mixes different periods to create a unique style.
A wardrobe without spending much money, without buying Bangladesh-made fashion and without wasting our resources.
A personal wardrobe, a wardrobe representing me, using 2nd-hand-items and selfmade ones, a wardrobe that suits me, that maybe seems a little out of time every now and then, but that is never inappropriate.
A timeless and sustainable wardrobe.

simply the fact that I didn’t manage to find a photo me wearing only self-made and 2nd-hand-clothing that would match the “wearable and timeless”-guidelines shows, how far I still have to go to reach this goal.

These are big words and high demands to myself and I am not sure if I will be able to meet them ever. But still I would like to keep them as a goal behind all the other stuff, behind showing how beautiful the past is and what it still can bring to us, behind chatting about my sewing capers, flea market finds and cooking.

Now, this was a “brief” look into my inside and what kept rumbling in my bowels for quite some time.

See you soon, love

ette

Long term project No 2 – My 40ies winter coat

Now, let’s see what I got for you today…

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A long time ago, back in 2011, I bought some sewing patterns while being on a study trip to Dresden.

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One of the was this 40ies pattern with different projects in “traditional dress”-style.

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Popular belief thinks that these traditional dresses once were the festive costumes of peasants, but the traditional dress as we know today is majorly a 19th century invention, based on traditional and simple peasant costume, but entirely constructed. The ‘why’ can be discussed rather controversely. You can call it a longing for tradition and history, an attempt to picture the past and the “good old times”, you can see the construction of a national identity, maybe of something called patriotism.
Well, nobody needs to have studied politics to guess that all these reasons made traditional dress a very popular style in Nazi-Germany. These costumes helped to form an image of the german nation, the rural life and peasants as the fundament of the nation’s unity and strength. To make this clear: I still have issues using this pattern, because apart from “normal” fashion, that could be political, but didn’t have to, this “traditional”-style was without a doubt used in a propagandistic and therefore very political way.

Being born German, having Grand-Parents who had to live under this regime, who suffered from and survived the war, the last thing I want is to romanticize this time and you will never hear me utter a word like “I love the 40ies” or me speaking of WWII-reenactment. I like 30ies and 40ies fashion, internationally seen, because aside from regional differences you can observe the same cuts and styles in pretty much the whole western world. I work with german patterns because I lived in (and still close to) Germany, so these are the patterns most easily accessible for me.

And one last note before we come to the project itself: I don’t like the other patterns of this set very much, so I don’t think I will be tempted to sew myself a 40ies-dirndl-style-dress in the nearer or farer future. And I try to convince myself that the woman who owned this pattern in the 1940ies didn’t like much of them, either: The marks on the pattern sheet show, the only garment that had ever been made from this sheet (or let’s say that left marks of its creation, surely I can’t say if other patterns were traced without a small ridged wheel) was the spencer, the jacket in the far right. And that isn’t very dirndl-like at all, in my opinion.

The reason why I bought this pattern (apart from its very low price) is the pattern second from the left, the coat. I already planned to sew it right after having bought the pattern and when I went to my hometown later in 2011 I went to the fabric store I used to work at and bought fabric for this project. An anthracite coat fabric, not made from wool, but from cotton, burgundy bias binding and matching lining.

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Because it was already late autumn I didn’t manage to finish the coat to wear this 2011-winter season. In 2012 I spent the autumn months in France and came back home only in mid-december, to late to be motivated to finish this project.  In autumn 2013 we moved and there wasn’t much time for sewing at all. But it brought the project back to my mind and because I really didn’t want to have it lying unfinished in my fabric-cupboard another summer, I forced myself to finally end this in early 2014.

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The coat was one of my first attemps to use historical patterns and I made all the mistakes I could make. Even with modern pattern, sizing often tends to be too large. Today I know that this gets even worse with vintage patterns, but I didn’t know back then, so I cut the fabric according to the 88cm-bust-circumference without any alterations. I closed the seams in the front and attached the bias binding by hand. Only after having closed all the other seams to form the corpus I saw, the coat was far too large.

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I managed to make it a little bit smaller shifting the side- and shoulder-seams as well as the seams in the centre back. Still it was far too wide, I had to add the diagonal darts in the back you can see in the photo above. What is really missing is an adjustment in the front. Only thing I was able to do there, was to cut back the front edges a tiny little bit, but because of the applied bias binding I had to leave the pricess seams as they were. Of course all those adjustments made the seam allowances very bulky and they were a pain even beforehand. The fabric floats very nicely, but at the same time it is kind of stiff, so I had to hand bast all the seam allowances to make them lie flat.

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The armholes were a little too large after all the adjustments, but the sleeves themselves were just massive and very wide. The puff sleeves looked ridiculous and I had to remove a lot of fabric from the width of the sleeve itself as well as from the sleeve cap.
This fabric fringes horribly and I had to undo the sleeves three times and still the left one looks terrible.

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Now, if these were all the problems I had faced, it would have been ok. I still longed to finally wear the coat and loved the colours as well as the pattern.
But the hem looks terribly crumpled, I re-did it a couple of times, the stitches still show and ironing just made it worse. The collar isn’t very flat either, normally I wear the coat with a large scarf so that the collar is hidden.

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The worst flaw I only saw in this photos. The waist flounce isn’t on the same height left and right. When I looked at the pictures I was like “no, it only looks like this, can’t be”, but in fact, it is even worse when looking at myself in the mirror wearing it.

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Surprisingly enough, the lining made no problems at all. You can see a button sewn onto the facing, it’s my spare one.
The buttons were another disappointment. During the two years it took me sewing it, I bought two different sets of buttons, both burgundy coloured, they both looked terrible when pinned on. So I used this ones I still had in my stash. They do not function at all, but hide the press fasteners beneath, I really didn’t want to sew buttonholes into this fabric.

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I am still a little unsure what to do. The coat is somehow wearable, but I know I can do better and I know that this proof of my sewing skills is not what I want to be judged by. Additionally, it does nothing for me. It makes me look way larger than I actually am, the waist is not as accented as I would have liked it to be. So it really doesn’t improve my  figure at all. This winter I will wear it, but it is nearly over, I can’t say if this coat will live another season. I planned to sew a matching hat, having a little leftover from the fabric as well as from the bias binding, but what for if I will never wear it because I don’t like the coat?

DSC_1811b(cap: Globus, brooch: H&M, scarf: heirloom/my grandaunts, gloves: flea market, shoes: pointer)

Now, I would love to hear your opinions, I’m off, love,

ette

 

What I wore…on Halloween or: How to fold a nurse’s cap

Normally official holidays aren’t something you are really aware of. When living in my hometown there were always those holidays who were only marked in the calender and the federal ones who meant a day off school. In this part of Germany, the 1st of November is a federal holiday, so of course Halloween was celebrated every single year since the 5th grade.

Meanwhile I have moved to another country and to a protestant part of it. That means the 1st of november is a working day as every other day (except for the fact that all the people from catholic regions of Switzerland go shopping in Berne, so it is very crowded).
For that reason a dear friend of mine had to plan her Halloween Party on Saturday, so please forgive that slightly belated costume post.

As you can imagine, the last weeks weren’t the perfect time to prepare a perfect costume out of nothing, so I went for something already proved and tested.

My grandmother, born in 1933, became a nurse after she had finished school. I don’t know exactly when she started her apprenticeship, but it must have been somewhen around 1950. What I can say fore sure is that she quit her job in 1965 when my father was born and she has been a stay-at-home-mum ever since, being at the age of 80 today.
This is my grandma in 1953:

A few years ago she told me, that she still had her nurse’s uniforms in the basement. I was very exited and asked her to show it to me. In an old wardrobe she kept multiple of her dresses, aprons and other stuff. I was so very happy (also because my family isn’t very rich or aware of tradition and has only very few family heirlooms and souvenirs) and she asked if I wanted to have one of them. She gave me a dress, an apron, a cap, a surgical gown and even a matching brooch (well yes, the enamel is broken, I think she kept the intact one).

The cap was a bit of a challenge, because she didn’t remember how it had to be folded. Looking at some photos at the internet and with a lot of trial-and-error experience I figured out something that could be at least a possibility of how it was worn, though I am still not sure if this is the right way.

So, if you ever come across something that looks like a gigantic single layer slip, it is a nurse’s cap. It is starched very heavily, I didn’t dare to wash it until today because I am sure I will never be able to starch it as the hospital’s laundry did.

The first thing you’ll need is something called nurse’s pins. I didn’t even know that they existed (having had always assumed that those caps had been pinned with standard pins) until a client of the haberdashery shop I used to work in asked for them (of course, we didn’t have them). But when I found a little box of white-headed pins in a sewing basket I bought on a flea market, I knew immediately what I had found. They are a little longer and stronger as standard pins and, as already meantioned, come only in white.

First thing to do is fold the double-layered part of the cap back.

Pin the ends together to form a circle.

Pin the flap over the ends as shown. You can change the size by reducing or enlarging the overlap of the two ends and of the flap.

And voilà, your cap!

And here is the complete costume:

Somebody at the party asked me if it was on purpose that I wore my apron inside out. But I didn’t. It has one pocket for the right hand on each side, so if it get’s dirty you can turn it around. For someone standing left from me it looks as if my pocket was on the wrong side of the apron.

Me trying to make an ugly halloween-y face. And on the inside you can see a 50 year old (blood?) stain the laundry didn’t manage to eliminate.

I was accompanied by my boyfriend, wearing some giant plastic screws on his head as a costume (he hates costumes, that was all I managed to convince him of) and lots of homemade cookies (these are only the few we kept for ourselves):

I hope you had a nice weekend and a happy Halloween,

see you soon, love,

ette

What I wore…navy and white

Life is what happens while making other plans…

I don’t know why time is running so fast these days. Between writing job applications, working in the book shop and preparations for our new appartment there seems hardly any time left. I haven’t sewn for days, I didn’t even read much.
The last weekend I went home for a short visit, because my grandmother celebrated her 80th birthday. I left Bern on Saturday morning, arrived in my hometown at half past two, the birthday started at 4pm. On sunday I had a long breakfast with my father before heading to my mother, where I spent the afternoon with my siblings and my niece (I gave her the pinafore skirt I showed you, unfortunately it doesn’t fit as I imagined it to, but I hope that this will change in a few months, because it was still a little large for her). Monday morning I went to the town hall, firstly to vote, secondly to renew my ID. In between I had to take a passport photograph, because I had forgotten to bring one, and brought some parcels to the post office. I had lunch at my grandparents’ before I headed to Düsseldorf to meet a dear friend I know from my time at the local university. In the afternoon I went to the airport and arrived in Basel at 10pm where my boyfriend picked me up, it wasn’t until 11.30pm that we arrived at home. How exhausting this weekend had been I only realized the next day, when I felt terribly tired around 1pm and decided to take a short nap. I didn’t wake up before 5pm and went to bed in the evening like always, sleeping my usual 8 hours until next morning. It seems as if I really needed some additional rest.
Tuesday passed in a blink, unpacking luggage, doing the laundry, checking all the stuff on the internet I had missed over the weekend. Today I had to work and me and my boyfriend were really looking forward to tomorrow, when we will both have our day off. Unfortunately our landlord told us directly after we both got home today, that there would be a prospect visiting our appartment tomorrow afternoon, so our day off will be spent cleaning annd tidying up, as we neglected this a little the past few days.
On Friday we will be handed over the keys to our new appartment, which means that I could spend every spare minute packing boxes and driving them to the new adress, besides this I will work a few hours in the local museum, examining some antique traditional costumes  in their collection.
As you see, plenty of things to do and no end in sight, I don’t really know when I will be able to sew again and how I am to realize the Fall for Cotton dress I announced so flamboyantly.

To show you at least some photos I will leave you with some outfit-pics, again.
This is what I wore on Saturday to my grandmother’s birthday.
The hat was a present from me to myself after having finished my MA-thesis, it is a late 50ies Schiaparelli hat I bought at ebay America. The dress is the only “designer dress” I own, I found it for a reasonable price in a local outlet centre last year, while searching for an outfit to wear at a wedding (I don’t want to start a discussion about the designer’s statements and the reactions to them. I I do vehemently dissociate myself from any ideas or idealogy of this kind. I bought this dress because I had spent the whole day searching for something affordable and appropriate to wear and had to decide wether to buy this dress or leave with nothing). The shoes are the same white court shoes I showed you with my last wedding-guest outfit, but I embellished them with shoe buckles I found at a flea market some months ago.

Please excuse the bad quality of the photos and me, it was half past seven in the morning.

Here is another photo of the hat I took right after it had arrived:

(hat: Schiaparelli Paris via ebay.com; dress: Galliano; shoes: Siemes Schuh Center; shoe buckles: Flea Market)

I really hope I will be able to show you something more interesting and handmade soon!
Love,

ette

What I wore…to celebrate

Monday was the day…I had my very last oral exam, one hour, four topics. I was a really great exam, my Professor simply let me talk and asked some questions at the end of each topic to see if I really knew enough about the subject and was able to react to react her objecting an argument of mine.

I can’t really believe that it is all done now. Nearly as long as I can remember I went to school or to university, when I will be given my report in October I will officially be a Master of Arts. Now I will start searching a job or maybe think about directly going back to university, enlisting as a Ph.D. student.

A friend of mine had her exam after me and as soon as we were both finished we went to have lunch all together, with our professor, her assistant and my boyfriend.
Now, several other friends had their exams the next day and so I joined them on tuesday evening to celebrate a little.

What I wore: I found this dress a few months ago in a vintage shop in Bern. I saw it and knew it was older than the 70ies and 80ies stuff they sell in large numbers (they always have some 50ies and 60ies stuff as well, but I am not always lucky to find something I really like and fit into). So I bought it without even thinking how to wear it. I believe it being late 40ies/early 50ies.

After having watched it a few weeks as it was hanging on my wardrobe door I began combining it with different accesoires and shoes. I have shoes to match the colour of the outfit, I have grey ankle boots, white court shoes, light pink sandals. But it looked all horrible. The cut, the fabric, the colours, all added up to create a lovely granny effect. Lovely if you are indeed a granny and are about to celebrate you 76th birthday, but I still have 50 years to go to do that. So I was sure that I couldn’t style it authentical or even classical. What I did was to break the style combining the dress with a heavy leather belt and black boots.

Because it was pretty cool outside I also added a white cardigan.

Outside I paired it with a creme-coloured trenchcoat and a lovely early 60ies umbrella I bought at a flea market last year.

Outside it has a standard patterned fabric, but on the inside it is lined, so all the wires and bars of the umbrella are covered. Imagine women with their helmet-like 60ies hairstyle, getting tangled in an umbrella would have completely ruined the hairdo. So it was certainly a really clever idea to cover all the frame of the umbrella.

(dress: vintage, bought at Fizzen; cardigan: Carhartt; belt: from my uncle; boots: charity shop; umbrella: flea market)

Yay, Duckface, don’t ask, I was tired and came home late.

See you soon, love

ette

No Sans-Culotte anymore

It must have been three years ago, my father and I went to an Antique shop in the neighbouring village.

While my father digged his way through old electric stuff and ended up finding a sowjet metal construction kit, I asked the owner if he had anything related to handcrafting. He showed me some Chinese cross-stitch-booklets from the early 20th century and three brown book-like things.

I remember that two of them contained fashion and sewing stuff, the third one predominantly recipes. I wasn’t really convinced about them, but loved the Chinese-Embroidery-booklets. It was all in a whole stack of paper, magazines and stuff the owner had purchased only some days ago. Now, my father found some other things, I did as well and in the end my father asked the owner to offer us a good price for all of it, even though I had no idea what “all” really meant. The owner did, my father accepted and he gave me the complete batch of things to carry, Chinese Patterns, weird brown books, lots of water colour paper and some 1960ies issues of different magazines. Well, he wanted to get rid of them, I thought I can still throw it away later so I took it with me. At home I took a closer look at the brown books, the two with fashion and sewing instructions I stored with my patterns, the one with the recipes went onto my cook book shelf.
I can remember that I wasn’t really impressed by the patterns I had seen, back then I was wearing lots of modern clothing and was only interested in the 1950ies, my Rockabilly- phase. The brown recipe-Book was in fact a collection of magazine-clippings from the 60ies and 70ies with a knitting pattern or fashion drawings every now and then (but only because it was on the back of a recipe). I love to flip through the pages and surprise myself and my boyfriend with some weird 70ies dinner every few months (as I did after making these photos, Vol-au-Vents with mushroom filling and poached eggs, and no, I didn’t manage to make proper poached eggs 🙂 ).

Funny side fact: I found four languages in this collection: German, French, English and one recipe is in Italian.

I always imagined the other two brown books must contain the same sort of things, only with a stress on fashion, so I paid hardly any interest on them.

Only a few months ago I remembered them on a quiet and rainy evening and went through them again. Struth had I been wrong! Those were complete volumes of crafting magazines from 1942 and 1944. I was stunned, shocked by how much my taste and judgement had changed in that short time, I mean, I was close to leave them in that shop, unbelieveable.

The majority of the patterns are instructions for knitting and crocheting. There are many pictures of sewn dresses, but the patterns had to be ordered and didn’t come with the issues. But nontheless, they are so beautiful and such a great source of inspiration.

But! They do contain a small number of sewing projects. Most of them are things like bags, toys or simple children’s patterns, but some very few ‘real’ patterns are in them, too.

Of course there aren’t printed in their original size, but need to be enlarged. Already shortly after I re-discovered the magazines I copied the pattern for this pair of culottes (Frau und Mode. Beilage zum “Blatt für Alle”, 14. Februar 1942). I am not a big fan of working with paper in general (so I am always glad when the work with the actual pattern is done and I can start with the fabric), but I prefer drawing patterns much more to tracing them.

As a fabric I chose this rather coarse linen I bought at Ikea (I bought it already some years ago when it was still available in this light green I used and a light shade of pink). The pattern seems to be made for an autumn outfit and suggests a waterproof cloth lined with a woolen plaid for the cape and one of the fabrics for the culottes. That’s why I didn’t want to use a thin fabric and I am quite happy with the linen. And additionally it is so neutral, you might call it a cake-project, at least I would. In my opinion it doesn’t look that “vintage-y” at first glance, my boyfriend said he wouldn’t call it vintage or 40ies, but old-fashioned and square. Thank you, darling 😉

The pattern is quite spartan, as I assume most patterns of this type are. There is no piece for the belt given, I simply measured the waist size I ended up with after sewing everything together and made my own, as told in the instructions. It’s a little weird: This pattern is intended for 100cm hip size and I had to cut away approximately 4cm off each seam to fit it to my hips (that is 16cm less circumference!), but the waist  size was nearly perfect, I only reduced it by 2cm, so 0,5cm off each seam. Strange proportions.

(feel free to use it, the measurements are given in Centimetres)

Edit: Because I was told the pattern can’t be copied because of some missing measurements on the left side, here are all the measurements that I was able to read. Not readable is the final length of the back piece, I used the length from the front piece and it worked. The length of the inner leg seam can be fitted to the one you end up with after copying the front piece or can be more or less calculated (69,5 (length of the front piece) – 31 (I’m sorry, it is not clear in the drawing, but compared to the measurements of the front pieces, the 10cm have to be part of the 31cm, so it should read 21 + 10 in the drawing) –  ~2 (I can’t read it, but it is visible, that there is a slight curve upwards, like there is on the front piece, I didn’t manage to draw it) = 36,5cm).
Neither visible is, if the edge of the inner leg runs down vertically or in a slight angle like the front seam does. I think I made it vertically and it worked.

I love the style of the pockets, that seam going from the belt to the hem. When sewing the two cut pieces together, they overlap approximately 7cm (you can see the dashed line in the pattern). I am not quite sure if that was the intended size of the pockets, that would mean it would have been scarcely enough to store a handkerchief in them. I added pocket pouches, using an old fabric I had once used to line a waistcoat with it. I am not quite sure what material it is.

Because I was a little frightened the pockets would be the weak spot and at risk of ripping someday at the belt, I decided to add belt loops with a pointed end and placed them directly above the pocket opening. The idea came to my mind because Tasha made similar belt hoops on a skirt in April. In the back I placed them above the darts (you can’t really tell from the photos, I’m sorry)

The pleats are sewn close up to a certain point, I think it is visible in the photos. It is quite weird, because they form kind of a triangle with the crotch seam. Below the seam they are only ironed, maybe I will try to secure them with an additional seam, but I ran out of thread while hemming the legs, so this would mean I would have to buy new thread, I don’t know if it is worth it.

It is closed with a zipper in the side seam, the belt closes with a hook and a crocheted loop.

As always I had to shorten the legs. And for the first time in my life I used a skirt marker for it.  A few weeks ago I found a skirt marker to attach to a doorframe on a fleamarket, it works pretty well.

I have been wanting to photograph it for weeks, but somehow never managed. So I finally did it today, after having been on the move the whole day in a boiling city (after some beautiful rain on Monday the heat is back!). So my styling is improvised and I am looking really tired on some of the photos. Because my boyfriend hates this and thinks it is old-fashioned, I decided to wear the full package, with cravat and laced shoes. I was kind of shocked, because, somehow, it doesn’t look as bad as I imagined it to be, does it?

(blouse: Tommy Hilfiger, cravat and belt: family heirloom, from my grandaunt, shoes: Dosenbach/Deichmann)

I already wore it on our tour to Kandersteg a few weeks ago, styled very simple with a T-Shirt and canvas shoes.

crumpled after a long day of walking.

(shirt: I am by Manor, belt: family heirloom, from my grandaunt, socks: Six, shoes: Pointer)

Yes, I am very pleased with the result. It is not something to wear every day, but it is practical. Made from a more elegant fabric I can really imagine it to wear as a skirt substitute in every day life.  I hope you like it as well.

See you soon, love

ette

What I wore…Strawberry Picking

I’m sorry for the lack of posts these days.

It is so darn hot at the moment, I do not feel any urge to go outside. I am a spring and autumn lover, I hate hot weather, burning sun or getting a tan,  I don’t even like to swim. But I am not in the mood of working at the sewing machine or the computer, either. Don’t ask me what I do the whole day, it is more existing than living.

I am especially sorry, because I do have some finished projects to show you, I just have to manage to take some photos of them to present them here.

In the meantime I will leave you with some photos my boyfriend made a few weeks ago, while we were picking strawberries. I wore my table-cloth-skirt and some new acquisitions I made at the Blutsgeschwister-Outlet in Weil am Rhein.

(shirt and petticoat: Blutsgeschwister, skirt: ette, shoes: Dosenbach (Deichmann), handbag: flea market, silk scarf and belt: second hand shop, fragrance: Nina Ricci – L’air du temps)

And because my boyfriend loved the first photo so much, he toyed around with it a little:

See you soon, love

ette